The Terrain Gallery
of the Aesthetic Realism Foundation

THE TERRAIN is the first gallery to show the inextricable relation between the technique of art and people’s lives. Since its opening in 1955 in New York City, it has presented exhibitions of contemporary paintings, prints, drawings, and photographs, with comment based on Aesthetic Realism, the philosophy founded by Eli Siegel, and on his historic Fifteen Questions, Is Beauty the Making One of Opposites? * Among the artists exhibiting have been Will Barnet, Robert Blackburn, William Clutz, Lois Dodd, William King, Andre Kertesz, Chaim Koppelman, Dorothy Koppelman, Peter Passuntino, Stephen Poleskie, Elfi Schuselka, Richard Sloat, George O. Stadnik. *See also en Español and in Italiano.

GALLERY HOURS: WED, FRI, SAT 1-5 PM

 Chaim Koppelman, Still Life. Pastel.

We’re proud to present work by five artists—some figurative and some abstract, each uniquely individual. Yet, with all their difference, their power as art is explained by this landmark principle by Eli Siegel, founder of the philosophy Aesthetic Realism:

All beauty is a making one of opposites, and the making one
of opposites is what we are going after in ourselves.

People throughout the centuries have hoped to understand what beauty is and why art matters. That hope has been met at last. Aesthetic Realism resplendently shows: art is a guide to seeing truly the world and our own selves.

For instance, Chaim Koppelman’s pastel Still Life is a beautiful relation of radiance and shadow, glory and humility.  A number of objects, mainly jars, close together and rather dark, are atop a box—and supported on them is a red mug.  All these ordinary objects seem at once shadowy and aglow. And most remarkably, the plain box on which they stand and the space before it have the greatest radiance of all.  Does the work say there is a radiance we need to see in things themselves, even things we’ve thought were dull?

The Terrain Gallery has presented Aesthetic Realism’s magnificent way of seeing art and life since 1955. We are immensely grateful to continue, freshly, in this, our 70th year!

— ARTISTS—

The Visual Arts & the Opposites

  • Aug 10: Works of Art Discussed by Students Learn more.

“If It Moves, It Can Move You”: Opposites in the Cinema

  • Sept 2: Registration begins for the next semester of classes Learn more.

Eli Siegel on Aesthetic Realism & the Visual Arts:

Claes Oldenburg and Coosje Claes Oldenburg and Coosje van Bruggen, Spoonbridge and Cherry, 1988, in the Minneapolis Sculpture Garden, Walker Art Center, MN., "Spoonbridge and Cherry," 1988; Minneapolis Sculpture Garden, Walker Art Center, MN
Spoonbridge and Cherry, Oldenburg & van Bruggen

In the News:

THE CHAIM & DOROTHY KOPPELMAN FOUNDATION, established to exhibit and preserve the works of these two major 20th-century American artists, has launched a major website containing works by printmaker Chaim Koppelman (1920-2009) and painter and founding director of the Terrain Gallery, Dorothy Koppelman (1920-2017). It presents, too, some of their powerful, profoundly thrilling writings on art, arising from their study of the philosophy Aesthetic Realism with the great American poet and critic Eli Siegel. read more

Aesthetic Realism Art Criticism:

John Singer Sargent

John Singer Sargent, Madame X


We’re proud to feature the thrilling talk by Lynette Abel, Sargent’s Madame X; or, Assertion and Retreat in Woman, in relation to the recent exhibition Sargent & Paris at the Metropolitan Museum, New York City.

Vincent Van Gogh


“The wall is alive with the motion of inside becoming outside, outside changing places with inside,” says Dorothy Koppelman in her wonderful talk, “Van Gogh’s Bedroom at Arles; or, The Outside World Is Friendly“:

Terrain Gallery at Archives of American Art:

Terrain Gallery Records are Online at the Smithsonian Archives of American Art: “Files document over one hundred and forty exhibitions as well as the gallery’s relationship with artists…. The Terrain has featured paintings, sculptures, watercolors, and graphics, as well as photographic exhibitions, which have shown the work of both younger and established artists…. Every exhibition has included comment by artists and critics about how opposites are one in the technique and form of the works of art on view.”  more

Scroll to Top